On April 24, 2020, we hosted our fourth N+T Asks conversation. This week Assistant Curator Leah Triplett Harrington asked you and our guests Stephanie Cardon and Charla Jones, "How does art offer hope to artists and the public?" Click to watch or listen to the full conversation.
We’re working from home too, which means curating from the kitchen table. Click to read about our first virtual studio visit with interdisciplinary artist Zsuzsanna Varga-Szegedi whose work blending media to “analyze” absence, distortion, and distance is particularly poignant during this time. Click to read more about Zsuzi and her perspective on “possibility”
On April 17, 2020, we welcomed artist and curator Rachel Allen, social change designer and founder of DS4SI, Kenny Bailey, and over 80 of you into a conversation exploring the question: “What can artists do right now?”
We were glad to have special guests artist Stephen Hamilton (2018 Public Art Accelerator and creator of The Founders Project) and Tiffany Cogell, a driven advocate and community organizer (and one of the powerful women featured in Elisa Hamilton’s 2017 project Slideshow) join us for our second installment of N+T Asks and help us answer: “What does care mean right now?”
On April 3, 2020, we launched our new online conversation series "N+T Asks." We were excited to welcome artist Silvia Lopez Chavez, Program Director of Public Art at New England Foundation for the Arts, Kim Szeto, and more than 75 participants from across the cultural sector as we asked: “What does public mean right now?”
We’re partnering with Arts Connect International to sponsor the 2019 Arts Equity Summit and present a panel “Loop-breaking: creating a virtuous cycle of public art production” to consider the challenges of creating truly community-oriented artworks and discuss barriers to entry for public art artists and audiences alike.
The Commonwealth Ave Mall was among Boston’s first planned public spaces. But when construction on the Mall began in 1856, it signaled the very beginning of an urban planning renaissance in the city that lasted through the Gilded Age (1870's - 1900). Now it’s the site of Liz Glynn: Open House, enriching it’s already potent message about access to public space.
Here’s to our volunteers! As the volunteer coordinator for Patterned Behavior, I met over thirty hardworking and passionate people whose help was vital in making our project a reality. They painted, primed, greeted, and directed traffic for over two weeks, and everyone who came out brought their own unique perspective and enthusiasm to the site.
