On April 24, 2020, we hosted our fourth N+T Asks conversation. This week Assistant Curator Leah Triplett Harrington asked you and our guests Stephanie Cardon and Charla Jones, "How does art offer hope to artists and the public?" Click to watch or listen to the full conversation.
We’re working from home too, which means curating from the kitchen table. Click to read about our first virtual studio visit with interdisciplinary artist Zsuzsanna Varga-Szegedi whose work blending media to “analyze” absence, distortion, and distance is particularly poignant during this time. Click to read more about Zsuzi and her perspective on “possibility”
On April 17, 2020, we welcomed artist and curator Rachel Allen, social change designer and founder of DS4SI, Kenny Bailey, and over 80 of you into a conversation exploring the question: “What can artists do right now?”
We were glad to have special guests artist Stephen Hamilton (2018 Public Art Accelerator and creator of The Founders Project) and Tiffany Cogell, a driven advocate and community organizer (and one of the powerful women featured in Elisa Hamilton’s 2017 project Slideshow) join us for our second installment of N+T Asks and help us answer: “What does care mean right now?”
On April 3, 2020, we launched our new online conversation series "N+T Asks." We were excited to welcome artist Silvia Lopez Chavez, Program Director of Public Art at New England Foundation for the Arts, Kim Szeto, and more than 75 participants from across the cultural sector as we asked: “What does public mean right now?”
An interview with Elisa about Slideshow -- what inspired her, what’s new, and what this piece of “analog” art has to do with a technology and innovation festival (hint -- Instagram wasn’t the original photo sharing platform). Read on to get an inside look at Slideshow and join us for the slide talks, starting Thursday October 12.
Every promise is as important as the individual who made it. We've seen over 900 people step up to the table, sit down, and create a promise, and stand in front of the billboard, feeling proud or liberated or possibly a little scared. Here are a few promises that really made us think, This is why we're here.
Looking back and ahead, a New Year's greeting from Director Kate Gilbert. In a decade from now when Greater Boston is a must-see destination for public art enthusiasts I believe we’ll look back at 2015 as a pivotal year. 2015: the year public art became an integral part of the re/development of engaging public spaces, the year when artwork selection processes shifted from juried to curated, and the year we learned to balance spectacle and civic engagement.
