Leah Triplett Harrington name Now + There’s first-ever Curator, amplifying the vision of artists—from Boston and around the world—who have unique, urgent messages for us in these times
N+T Live: The #TakeItDown Movement with Arielle Gray
N+T Live: Who gets memorialized? with Jen Mergel
Many pieces: reflections on Monuments and the Take Down Movement
The ARTery: At MassArt Art Museum, Artists Examine Racial And Gender Systems
Seachange: Public Art in the 1980s
The first post from N+T's 2018 Critic-in-Residence, Leah Triplett Harrington explores how UrbanArts has became Now and There and how bringing Bostonians artwork considering place, ecology, and gentrification relates to public artwork presented in Boston in the 80s. Is Boston’s public art - permanent or temporary - a way that we can make sense of the enormity of economic and political “transactions” happening globally?
