Our Assistant Curator, Leah Triplett Harrington, reviews the recently opened MassArt Art Museum’s (MAAM) inaugural shows, including “Valkyrie Mumbet,” “Game Changers” and “Yesterday is Here.”
Seachange: Public Art in the 1980s
The first post from N+T's 2018 Critic-in-Residence, Leah Triplett Harrington explores how UrbanArts has became Now and There and how bringing Bostonians artwork considering place, ecology, and gentrification relates to public artwork presented in Boston in the 80s. Is Boston’s public art - permanent or temporary - a way that we can make sense of the enormity of economic and political “transactions” happening globally?



